E♭ tuning
E♭ (E Flat) tuning or D♯ tuning is a kind of guitar tuning. It is based on standard guitar tuning, except that all of the strings are lowered by a half-step. The result looks like this: E♭-A♭-D♭-G♭-B♭-E♭. The guitar is usually played identicaly to standard tuning, resulting in a heavier tone without requiring the guitarist to learn different chords or fingering.
The tuning has a number of other features attractive to artists. It allows the use of heavier strings without decreasing playability. The tuning is also easier to play with a saxophone accompaniment (saxophones are usually tuned to B♭ or E♭). It can also be matched with the E♭ pentatonic minor scale formed by the black keys of a keyboard.
Blues legend Robert Johnson was one of the first to experiment with alternate guitar tunings such as E♭. Jimi Hendrix was also famous for tuning down a half-step, and Stevie Ray Vaughan used it almost exclusively in his electric guitar playing, as well as Slash of Guns N' Roses fame. The tuning remains very popular in rock and blues music, although some (like Pantera) tune up a quarter of a step. Former Stratovarius guitarist Timo Tolkki has used the tuning throughout his tenure, as evidenced by his guitarwork in the band. Aaron Lewis uses this tuning or drop D♭ while solo or with Staind, whose guitarist Mike Mushok uses baritone guitars, although they both use E♭ on The Illusion of Progress.
Other artists known to use E♭
- AC/DC - on "Night Prowler", and live performances since 2008.
- AFI - on "Sing The Sorrow", "Decemberunderground" and "Crash Love"
- All Time Low (used when playing live along with tuning the low E♭ to D♭
- Alice in Chains (most songs, dubbed 'Standard Alice tuning' by Jerry Cantrell)
- Alkaline Trio (on recent live performances to suit Skiba's weakening voice)
- Anthrax (on live performances)
- Black Stone Cherry (also on live performances of E-tuned songs)
- Blaze Bayley (some live performances)
- Bon Jovi - on live performances since 1988
- Cannibal Corpse (Chris Barnes era)
- Danzig - on all albums since Danzig III: How the Gods Kill, and on all songs on Danzig and Danzig II: Lucifuge since 1990
- Def Leppard - on the song Photograph
- DragonForce (during live performances)
- Enslaved (this tuning and drop D♭ on most albums except "Isa")
- Funeral for a Friend (with the E♭ dropped to D♭)
- Green Day (used for the entity of their Dookie album and Insomniac album and used for some of the songs off Kerplunk and for the songs "21st Century Breakdown" and "Before the Lobotomy".
- Guns N' Roses
- GWAR (with the exception of Hell-O)
- Iron Maiden - on "Don't Look To The Eyes of a Stranger".
- Judas Priest - on "Reckless", "Burn in Hell", "Bullet Train", "Hellrider", "Eulogy", "Lochness", and live performances since Rob Halford's return.
- Kiss
- Manchester Orchestra
- McFly - on Star Girl
- Megadeth - on Youthanasia and Angry Again
- Metallica - on "The God That Failed" and "Killing Time", the albums Load, ReLoad and Garage Inc., and on all E-tuned songs in live performances since 1995
- Morbid Angel - exclusively until Domination, where they used B♭ tuning, a variation of E♭, although Covenant featured E♭ as well.
- Muse - Especially live, on songs such as "Fury", "Starlight", "United States of Eurasia", "MK Ultra" and others.
- Nirvana - on most later songs
- Nevermore (until Dead Heart in a Dead World when, from then onwards, seven strings were mostly used)
- The Offspring tune to E♭ during live performances
- Ozzy Osbourne (All albums with Zakk Wylde)
- Rise Against (since Revolutions per Minute)
- Slayer - on most albums since Haunting the Chapel and on all E-tuned songs in live performances since 1984
- The Smashing Pumpkins - Used on "Mellon Collie and the Infinite Sadness". Billy Corgan stated the tuning was used to give the album a darker sound.
- Stone Sour (mostly used on their softer songs, or "songs for the ladies" as said by Jim Root)
- Sum 41 - On some songs on the album "Does This Look Infected?", most of the album "Chuck" and most songs when played live[1]
- System of a Down (on "Lost in Hollywood" and "Lonely Day")
- U2 - on Boy
- Weezer - recent live shows have been played with standard E tuning with all songs being transposed one half-step up.
- Van Halen - David Lee Roth era
- X Japan (on most songs)
- You Me At Six (used when playing live along with tuning the low E♭ to D♭
References